Last seen: Apr 16, 2020
Right right. Sorry I got confused. Man, so many to remember.
You don't have to justify the key change. Movement from G to A or vice versa could imply you're in the key of D, or it could just sound good. The A#-C...
The out-of-key chord happens a lot. Don't forget that in the descending A melodic minor you use a G natural, not a sharp. I think you got it backwar...
Although I had a hard time understanding you in youtube post, I get the general idea. But I don't agree with you on the fact that your teacher is an a...
except for the b5 moving from Cm to Fm7. Sorry for my ignorance. But can you elaborate a bit on that?? Thank you.
A lot of beginners go through the "changing the position of the scale for each chord" thing, but it's important to remember that G-Em-C-D7 is a sequen...
So basically if my song is in the key of A minor, I can use the D Dorian over a Dmin chord.... the E Phrygian over an Eminor chord etc.... If he stil...
I'm relatively beginner since I've been playing only for a year. Anyway, my guitar teacher plays multiple instrument and when I was learning from him,...
Within the set of pitches outlined by the tonality, you create a chord progression or a melody, and that has a "home" determined by the sequence of ch...
NoteBoat, I'm flabbergasted at your knowledge, not only here but in other threads as well. But I want to ask you about your method to figure out what ...